Stolen from Facebook
We in the United States have all heard the haunting song,
‘Taps.. ‘ It’s the song that gives us the lump in our throats and usually tears in our eyes.
But, do you know the story behind the song? If not, I think you will be interested to find out about its humble beginnings.
Reportedly, it all began in 1862 during the Civil War, when Union Army Captain Robert Elli was with his men near Harrison’s Landing in Virginia. The Confederate Army was on the other side of the narrow strip of land.
During the night, Captain Elli heard the moans of a soldier who lay severely wounded on the field. Not knowing if it was a Union or Confederate soldier, the Captain decided to risk his life and bring the stricken man back for medical attention. Crawling on his stomach through the gunfire, the Captain reached the stricken soldier and began pulling him toward his encampment.
When the Captain finally reached his own lines, he discovered it was actually a Confederate soldier, but the soldier was dead.
The Captain lit a lantern and suddenly caught his breath and went numb with shock. In the dim light, he saw the face of the soldier. It was his own son. The boy had been studying music in the South when the war broke out.. Without telling his father, the boy enlisted in the Confederate Army.
The following morning, heartbroken, the father asked permission of his superiors to give his son a full military burial, despite his enemy status. His request was only partially granted.
The Captain had asked if he could have a group of Army band members play a funeral dirge for his son at the funeral.
The request was turned down since the soldier was a Confederate.
But, out of respect for the father, they did say they could give him only one musician.
The Captain chose a bugler. He asked the bugler to play a series of musical notes he had found on a piece of paper in the pocket of the dead youth’s uniform.
This wish was granted.
The haunting melody, we now know as ‘Taps’ used at military funerals was born.
The words are:
Day is done.
Gone the sun.
From the lakes
From the hills.
From the sky.
All is well.
God is nigh.
Dims the sight.
And a star.
Gems the sky.
Falls the night.
Thanks and praise.
For our days.
Neath the sun
Neath the stars.
Neath the sky
As we go.
This we know.
God is nigh
I too have felt the chills while listening to ‘Taps’ but I have never seen all the words to the song until now. I didn’t even know there was more than one verse. I also never knew the story behind the song and I didn’t know if you had either so I thought I’d pass it along.
I now have an even deeper respect for the song than I did before.
Remember Those Lost and Harmed While Serving Their Country.
Also, Remember Those Who Have Served And Returned; and for those presently serving in the Armed Forces.
A good story, but this is probably closer to the truth of the origin of Taps:
The origins of “Taps,” the distinctive bugle melody played at U.S. military funerals and memorials and as a lights-out signal to soldiers at night, date back to the American Civil War. In July 1862, U.S. General Daniel Butterfield and his brigade were camped at Harrison’s Landing, Virginia, recuperating after the Seven Days Battles near Richmond. Dissatisfied with the standard bugle call employed by the Army to indicate to troops it was time to go to sleep, and thinking the call should sound more melodious, Butterfield reworked an existing bugle call used to signal the end of the day. After he had his brigade bugler, Private Oliver Wilcox Norton, play it for the men, buglers from other units became interested in the 24-note tune and it quickly spread throughout the Army, and even caught on with the Confederates.
Not long after Butterfield created “Taps,” it was played for the first time at a military funeral, for a Union cannoneer killed in action. The man’s commanding officer, Captain John Tidball, decided the bugle call would be safer than the traditional firing of three rifle volleys over the soldier’s grave, a move which couldn’t been confused by the nearby enemy as an attack. As for the name “Taps,” the most likely explanation is that it comes from the fact that prior to Butterfield’s bugle call, the lights-out call was followed by three drum beats, dubbed the “Drum Taps,” as well as “The Taps” and then simply “Taps.” When Butterfield’s call replaced the drum beats, soldiers referred to it as “Taps,” although this was an unofficial moniker, according to “Taps” historian and bugle expert Jari Villanueva. He notes that Butterfield’s bugle call was officially known as “Extinguish Lights” in American military manuals until 1891. Since that time, “Taps” also has been a formally recognized part of U.S. military funerals.
Today at Berkeley Plantation, the historic estate located at Harrison’s Landing, there’s a monument commemorating the origins of “Taps” at the site. Berkeley Plantation also happens to be the birthplace of Benjamin Harrison V, a signer of the Declaration of Independence, and William Henry Harrison, the nation’s ninth president.